Sunday, April 26, 2009

A Tongue Twister

the joker says "KNOW!" to the white king of cats
your cheap tricks don't fly, they go rat-a-tat-tat
how bout that?
some midnight, catch the training in Queens 
she? sexy young swivel don't know what love means
and Jack's trading his soul for some shit magic beans
I scream
we all scream
for some cream, man
we all want the American dream, man
and Fellini looks on and he'll steam when he sees 
that the Trevini Fountain's been forced to its knees for 
this idyllic young actor, who can't say what 'touch' means
and then SCENE, kid
and then...SCENE

I Will Die Unhappy

This happened today:

Spent day at crew, where I had a lot of fun hanging out with upperclassmen and working on this terrific set and this very interesting play, fell slightly in love with the protagonist of said play, stayed working (as a VOLUNTEER) till three in the morning perhaps somewhat because of the aforementioned, and then....standing outside as we're all leaving to go to this cast party, I feel these words just sort of bubbling up out of nowhere:
"I'm going home!" and my feet start to move and my brain is screaming "YOU ARE LONELY YOU ARE HORNY YOU ARE DUMB" but I turn around anyways, and this boy is saying, actually saying "Aww, no, don't leave" and he seems genuinely kind of distressed, and I mutter something about not having two dollars for the subway and let everyone hug me and call me marvelous and I turn, and for a second I wave with my back turned like Sally Bowles and think "you are so cool, so very aloof, you have a strong head on your shoulders" but then reality sets in by Wannamaker Place and I am just a self-saboteur, as awkward and as unhealthy and as unlikely to ever just BE FREE, like an artist, like a woman, like a happy person ought to be, no, no, I am still in the seventh grade, and I do not deserve to whine because I have glimpsed bravery and stood on the brink of being a different person but every time--let's say god, for lack of a better word--presents me with a choice I choose...wrong. I am still awake. I will always wonder what else could have happened tonight. I'm not a stalker, it's not a huge deal, but in the grander scheme of things this is my life and I am not steering it correctly. I should not have a license. 

Wednesday, April 22, 2009

Diablo Cody was Discovered this way, you know:


            Imagine your personality is actually a tumor, in that it is…a mistake. Imagine, just for an instant, that you don’t tingle when someone touches you unexpectedly, that you don’t fall a little in love with anyone who can make you giggle or make you think or looks you in the eyes just long enough, imagine that the quiver in your left cheek that happens when you don’t get enough potassium and the high-pitched falsetto you launch into, that reassuring, “No, it’s fine!” when you’re actually pissed off, that placating temperament, that inability to not stop talking, the endless pontification, the maniacal dance moves, the billions of neuroses and the hypochondria is all…really…a blight. Someone will find it, knotted together in the corner of your brain, the next time you go to the doctor for a check-up. “Oh, we’ll just nip this right now!” a nurse will chirrup, and you’ll go under a knife, and when you wake up you will not be you but you will be cured.

            The lady is sad. The combination is deathly. Deciding I want to laugh tonight but deciding I want to do it alone, deciding not around anyone I know, I walk fifteen blocks North in a tutu on a Saturday night, alone, and I go into a movie theatre, and I see I Love You Man and then I wander the edges of Grammercy Park and sort of smile like this…

(Smile)

at the people who I am positive find me terribly enigmatic, this tragic young woman in her enormous beige tutu alone, at a movie theatre, in such a tutu, on such a Saturday night. I cannot tell a lie: I smoke a cigarette leaning against a fence. I am impossibly cool. And this is wrong this is wrong it is wrong to find validation from strangers but I am an actress, and whatever toxins I breathe in I breathe out with my most biting, nagging thoughts. I collect the good things about me with the air, count the blessings—blow the terror and the deep crushing loneliness and the eagerness to please and the image of all my friends having fun without me into Manhattan’s slim, quiet, snappy skin.

            I sit through the movie and I laugh myself silly, not just because I’m alone, not just because I’m with others, but because I have finally decided that this is fine. I have done my part, drama school. I am going to rest now. I am going to ignore and embrace the minutiae of my soul, and most importantly not tell you about them and not talk about them, keep them secret. Just for a while. I eat a bag of popcorn big enough to fit my head in and think about the thirty dollars this evening will cost me, but I don’t think about ailing artistic pain.

I have a feeling watching this movie that Jason Segel and I would be madly in love if he were ever to meet me on the street. He’d definitely love me. Not because I’m an exotic tragic actress and we’d bond about the greats but because I wear a tutu, and I have a brain disease.